"Life without a pug is possible, but meaningless." Loriot
MOPSIMANIA
HISTORICAL-TYPOLOGICAL PORTRAIT WORK
Series of 20 panels, 18x24, acrylic on canvas, 2009-2026
Pets, especially pugs, are the result of centuries of human breeding. The pug is not a "natural" animal in the conventional sense, but a living being shaped and optimized by humans over centuries according to specific aesthetic preferences (goggle eyes, shortened snout, compact body). The serial arrangement across 20 panels is reminiscent of a scientific cataloging, grid layout, or inventory. The pug becomes the result of human desires for control and beauty. According to Donna Haraway, the pug stands for the radical entanglement of nature and culture: It is a hybrid creature that would be unthinkable without human intervention and breeding regulations, thereby blurring the boundaries between nature and human culture. Voltaire, the French pioneer of the Enlightenment, analyzed the pug phenomenon in his philosophical writings. He used human obsession with the pug as a metaphor to question human behavior, the mutability of aesthetics, and the tension between nature and reason.